Master of his own fate "The Queen of Spades" by Alexander Pushkin

Master of his own set The first thing that soft on(p) me about The fay of Spades by Alexander Pushkin is its elegant simplicity. In slight than thirty pages, Pushkin has gentlemans gentlemanaged to portray a complex character and check an engrossing psychological tale. The romantic in the story is non Tomskii scarcely Hermann, who is at the same time the calculating German and the visionary and psychoneurotic Russian. Hermann is established as an outsider on the actually first page. In addition, his resolve to find the unavowed of the tease signifies a certain kind of arrogance: he believes that he can - and must - succeed where others have failed. As matchless of the founders of realism, Pushkins treatment of Hermann is not a kind one and only(a): the man with the profile of Napoleon (page 277) does not ending up exultant and prosperous, alone in a mental institution. The situation that frolic is the subject of the story suggests that fate - in the act up on of prospect - plays some fibre in the story. Indeed, the queen of spades is in cause the deus ex machina who brings a certain moral justice at the end. The Queen of Spades is an incredible tale: from the mysterious three-card combination which guarantees benefit to the winking queen of spades at the end, the story is fill up with obviously supernatural occurrences. However, although chance plays a role in the story, its role is brought about by Hermann himself. The haughty romantic tempts fate and loses, but he loses not because of the teras without but because of the devil within. Pushkins attitude towards the incredible is a skeptical one. The realist treats ghosts, mysticism, murder and obsessive swordplay all as results of hallucinations or psychological pathologies and in the end the story becomes a moral... If you want to get a wide essay, order it on our website: BestEssayCheap.co m

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