Comedy and Tragedy in Alan Moore's "Watchmen"

The world is a tragedy to he who feels and a comedy to he who thinks, was peerless of the main sentiments voiced by dramatist Mark Cole--he tied it into irony and tried to illustrate how the alike(p) event, wedded a change in time or perspective, groundwork recognisem very different. The first thing I thought of when I heard this was The comedian. In Alan Moores brilliant graphic unexampled Watchmen, cited in Wizard: The Comics Magazine as the best American odd of the Twentieth Century, the plot begins with the death of a clothe vigilante (read: super-hero) called The comedian. Watchmen is to comic books what Citizen Kane is to cinema in more ways than whizz--besides having the story of being the best piece of American accompanying subterfuge ever produced (certainly the best of the superhero genre), Watchmen mirrors Citizen Kane in its structure--starting with the death of a rudimentary character and working back state of wards. At the start of the book, its hard to realize with The Comedian--but though he is non the main character of the story, its hushed in many ways the tale of his development.

We begin to see that The Comedian started out as a gimmick and a calm costume idea, but that after volunteering for special responsibility during the war in Vietnam and returning to a country where not only(prenominal) were veterans not appreciated, but where superheroes had been formally outlawed in his absence, The Comedian was a bitter man haunted by the ironies of the universe. in that respect are several monologues in the story, all ending in Its all so damn funny, and not a one of which is particularly funny to ! the reader. The Comedian throughout the story is express as a character who goes from one who thinks (he thinks the world is just... If you bespeak to get a full essay, order it on our website: BestEssayCheap.com

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